with the new style knobs

The interface was not the reason the Source "failed". You neglect the fact thatmuseslave wrote:Dude, the Source did fail... at least inasmuch as it was intended as the successor to the Minimoog. You might take a look in yer Moog history book, if you weren't around then... the Source was intended as a :::ahem::: "modern" replacement for the Minimoog. It was a fad at that point to demonstrate the "futurism" of a synthesizer by removing all of those pesky knobs and giving the HIP NEW DIGITAL INTERFACE. Its sales didn't approach the Minimoog by ANY stretch of the imagination. Minimoog users were frustrated by the lack of control afforded by a single knob. I'm sure everyone felt like they were living in Star Wars with that nifty mylar interface, but those of you with Sources these days are not so happy with it, are you? ; )trip wrote: Dude, the source never failed. Did you even ever play one?
I will concede the fact that monophonics were not as popular as they had been at the time of the release of the Source.MC wrote:The interface was not the reason the Source "failed". You neglect the fact that
a) At the time of the Source, the market for monophonic analog was drying up and Moog Music/Norlin were stuck in a rut.
At the risk of sounding nitpicky, I was around then, too... and I seem to remember Roland Juno 106s flying off the shelves in 1984/85... granted, they had DCOs, but they were primarily analog, sounded analog, and featured MIDI. Ooh, and they also had a monophonic mode. ; ) My first synthesizer, actually... although I have admit that for a very short time, I coveted the DX7 along with everyone else. : )MC wrote:b) Three years after the Source was released, MIDI and Yamaha DX-7 killed the market for analogs
That is certainly more than I expected. Do you have the sales figures along with the units built?MC wrote:Between 1981 and 1984, over 3,000 Sources were built. That's as good a production rate as the Minimoog.
Haha, dude, that's bleeping funny.dulongsynth wrote:The new Moog Voyager SAILBOAT!! With an advanced, high-performance reverse-angle centerboard, you'll be making waves in no time! All analog, yet handles Floating Point operations with ease.
dulongsynth wrote:The new Moog Voyager SAILBOAT!! With an advanced, high-performance reverse-angle centerboard, you'll be making waves in no time! All analog, yet handles Floating Point operations with ease.
Wow, I haven't seen a molded shell that cool since the Sonic Six...
dulongsynth
As I said, I have never tried a Source, but I have had extensive experience with the One Knob paradigm. (I owned a Kawai SX-210 for a time) It is very frustrating to want to jump from cutoff point to increasing PWM with the intermediary step of having to indicate PWM. In cases where multiple knob-twists must occur in very quick succession, it's impossible. And, as I keep pointing out... if you're the sort of person that jacks up the sustain/release and lets a note play while doing TWO HANDED KNOB TURNING.... well, you're out of luck!trip wrote:About the source, still man, you can't judge the one-knob-interface without having tried it extensivly yourself.