Audio examples of 'artifacts' or 'zippering'?

Tips and techniques for Minimoog Analog Synthesizers
Jazzpunk
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Audio examples of 'artifacts' or 'zippering'?

Post by Jazzpunk » Wed May 07, 2008 12:58 am

I have read quite a bit in this forum about digital 'artifacts' being heard when adjusting certain parameters on the Voyager and am now wondering just how bad this 'problem' really is.

I have heard a lot of great Voyager recordings and have not noticed anything unusual. If someone could post an example or two so I can understand what is really being discussed, it would be much appreciated.

Thanks.
MF-102, MF-103, MF-107

Jazzpunk
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Post by Jazzpunk » Thu May 08, 2008 1:44 am

No actual clips? I'll take that as a good sign! :D
MF-102, MF-103, MF-107

boose44
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Post by boose44 » Thu May 08, 2008 9:28 am

I have been meaning to make some recordings with my RME and Little Phatty as a controller as Gonga had posted about, but alas, I have not been able to. My wife has been ill and the studio is in complete disarray while we carry on the good fight. One day, though.

-bruce
[size=75]Little Phatty SE, Voyager RME, Kurtz PC2x0, Yamaha CS6x & RS7000
TD-12 VDrums, Pearl Masters' BRX, PD-11
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Jazzpunk
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Post by Jazzpunk » Thu May 08, 2008 11:19 pm

No worries boose. Glad to hear that you have your priorities in the right place! My prayers go out to you and your family.
MF-102, MF-103, MF-107

18watt
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Post by 18watt » Fri May 09, 2008 7:58 am

No digital artifacts with my Voyager Old School. :wink:

boose44
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Post by boose44 » Fri May 09, 2008 5:33 pm

Thanks for the kind thoughts, Jazzpunk. We're just taking it one day at a time. Our friends and families have made all the difference.

18Watt - I'd be rather concerned if you did hear some zipper noise! :D

-bruce
[size=75]Little Phatty SE, Voyager RME, Kurtz PC2x0, Yamaha CS6x & RS7000
TD-12 VDrums, Pearl Masters' BRX, PD-11
Tascam 2488 & 788, Edirol UM-880
[/size]

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space_nerd
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Post by space_nerd » Sat May 10, 2008 2:25 pm

All the best wishes boose44, for a quick recovery to your wife, so traquillity and happines will come back to your house and family.
Excuse my bad English though...

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Post by sir_dss » Tue May 13, 2008 3:00 pm

I hope your wife recovers soon...my thoughts are with you.
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boose44
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Post by boose44 » Tue May 13, 2008 7:53 pm

Thanks for the kinds word, everyone.

Right now, my wife is 4 weeks post-op and she's due to start radiation soon. Hair has started to come back after 3 months of chemo so things are looking a little better.

-bruce
[size=75]Little Phatty SE, Voyager RME, Kurtz PC2x0, Yamaha CS6x & RS7000
TD-12 VDrums, Pearl Masters' BRX, PD-11
Tascam 2488 & 788, Edirol UM-880
[/size]

earsmack
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Post by earsmack » Tue May 13, 2008 8:56 pm

Hey Boose...

Keeping positive thoughts for both of you...you do the same...

<joe>
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Gonga
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Post by Gonga » Thu May 15, 2008 6:31 pm

Best to you and yours boose.

http://danling.com/HotLinks/misc/RME%26Triton.wav

What you hear are a minor third (3 semitones) glissando (using glide/portamento) followed by a pitchbend of the same frequency. Then both the glide and bend are repeated an octave higher. The problem seems to be only with the RME (or a Voyager controlled with a different controller).

After many months of posts here, at the Novation site and at Korg Forums, what I have learned is that most midi keyboards cannot do smooth pitch bends. That's because most gear does not send out the highest possible resolution of midi data. None of my keyboards do, including my Triton Extreme, which I bought mostly because I thought it would be able to do smooth pitch bends. To my surprise, even the venerated Triton can't do quality bends. Apparently, most keyboardists don't mind / notice. Hard to believe, but absolutely true. My Alesis QS8 and Novation X-Station also sound horrible with the Voyager.

My understanding is that the newer Korg M3 and Oasys have advanced circuits that are capable of sending high resolution midi pitch bend data. Nobody here has answered my question as to whether the Moog keyboards control the pitch with midi or voltage, but my guess is the Moog keyboards sound smooth (though there isn't a single helpful sample at the Moog site). Unfortunately, like a large number of keyboardists, I can't stand pitch wheels!

What's perhaps even more astounding, is how I still would never want to do without my mini. Even without being able to solo with it, the bass is so good, it's worth keeping just for that. Shows how good the instrument is, doesn't it?

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Post by EricK » Mon May 19, 2008 10:45 am

WHen I had my voyager a few years ago I VAGUELY remember hearing some of what is being mentioned here...however; at that time it was really difficult to figure out what was just the synth and what wasnt as I was still new to synthesis. "Is this supposed to do this?" was the question. lol

Eric
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till
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Post by till » Mon May 19, 2008 11:39 am

Gonga wrote:...
Nobody here has answered my question as to whether the Moog keyboards control the pitch with midi or voltage ...
The pitchbend is acting full analog in the left hand section.
But because the pitchbend range is programmable and even might use different ranges for positive and negative amount, it is most likely (calling Moog Music to give details here), that the pitchbend is done by using the full 14 bit digital data. Just like it sends out the pitchbend in full 14 bit (max Midi spec resolution for it = 2x 7 bit data bytes = 16384 steps).
It is due to real cheap resistors and kind of being lazy by some manufactures to build pitchbend controllers with only single 7 bit resolution (128 steps).
keep on turning these Moog knobs

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gianluca13_2
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Post by gianluca13_2 » Tue May 20, 2008 3:23 am

There’s a problem more related to pitch bend that no one mentioned. Independently of number of bit resolving the analog sweep another factor play a role also more critic. Until some years ago, but I think it is still thru, no one sequencer or expander module whose able to receive in real time the quantity of messages sent from a controller sending the pitch bend message. For this reason every manufacturer used to sampling the pitch bend position in a intermittent mode. It is quite easy to verify. Roland as example in old controller sent the pitch bend every 20ms. This is very important to understand because in this way messages sent to other gears have no mode to be continuous. Also with the maximum of resolution in the A to D side we can’t avoid the jump from a precedent bend position sampling to a successive position sampling. Also if both sampling whose very accurate with 14 bits of resolution they represent two different moments and two different values with an inevitable gap. Is for this reason that the pitch bend message lost in the time the attention in accuracy from manufacturer. I think this is a problem strictly of Moog architecture. In other external gears you have not artifacts exclusively because the manufacturer take care of this aspect and introduce in hardware or in software a smoothing circuit able to render continuous the behavior of instruments. I hope the next O.S. incoming can solve this big problem.

Cheers,

Gianluca

Gonga
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Post by Gonga » Fri May 30, 2008 9:26 pm

I always wondered why the Voyager didn't simply smooth the bend. The solution sounds simple - like applying a glide with a very fast response to the bend. If a glide can sound smooth, why not a bend?

I am disappointed that synth manufacturers don't seem to think printing such specifications are important. When you're spending thousands of dollars for the best instruments money can buy, you would think such important specs would be available for players to make informed decisions that so directly affect the quality of the sound.

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