Control Processor Or Low Pass Filter

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sound research
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Control Processor Or Low Pass Filter

Post by sound research » Sat Apr 21, 2007 5:14 pm

Hello, I'm trying to decide between the c.p. and the low pass filter. I have the ring mod. and the murf already, which would complement these two? thanks very much

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analoghaze
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Post by analoghaze » Sun Apr 22, 2007 12:39 am

Get the CP.
Music can Name the Unnamable and Communicate the Unknowable.

'I am... everything is... changed... they're calling... your face... interwoven... who is...' Patient mumbles inaudibly to a tune (sounds like 'Thanks for the memory).

nathan
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Post by nathan » Sun Apr 22, 2007 7:07 am

i'm curious why,analoghaze?
are there any good audioexamples of the cp's abilities on the web, besides moog's ones, which are kindof not very clear to me. (plus, only2)
like for instance, with only one tone coming from guitar straight to amp and after that going through the sample-and-hold or lag-processor of the cp251
thanks

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GregAE
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Post by GregAE » Sun Apr 22, 2007 8:39 am

nathan wrote:i'm curious why,analoghaze?
are there any good audioexamples of the cp's abilities on the web, besides moog's ones, which are kindof not very clear to me. (plus, only2)
like for instance, with only one tone coming from guitar straight to amp and after that going through the sample-and-hold or lag-processor of the cp251
thanks
The CP will unleash an entire new set of possibilities for you with your MF102 and MF105. While the CP makes no sound on its own (save for the noise source), the CV options it provides will take your existing MF's to the next level, and allow you to create new and different sounds and sound effects. And don't forget that the CP's Mixer can be used to mix audio signals as well as control voltages (a bonus!).

Since the CP doesn't generate or modify sounds, it's hard to provide demos of its capabilities. Sound isn't processed through the CP, so a demo can only serve to illustrate the effect of the CP when used with other 'Foogers, the Voyager or the LP. You might try to audition a CP at your local music dealer to get an idea of what it can do for you (take your 'Foogers along with some patch cords).

sound research
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Location: Southern West Virginia

Post by sound research » Sun Apr 22, 2007 4:33 pm

Thanks for the info, i will more than likely go for the c.p.

sound research
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Location: Southern West Virginia

Post by sound research » Mon Apr 23, 2007 4:17 pm

Hey, I went ahead and bought both the cp and the low pass filter with 5 patch cables. Would that be enough cable the to something with? Thanks
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analoghaze
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Post by analoghaze » Mon Apr 23, 2007 5:34 pm

Hell yea!!

It never hurts to have more cables. Try the S+H into the frequency of the RM... then use the Carrier Out on the RM.... send to an attenuator on the CP... and use that to control Filter Cutoff on the LPF.


Fun....fun!!!!


:D
Music can Name the Unnamable and Communicate the Unknowable.

'I am... everything is... changed... they're calling... your face... interwoven... who is...' Patient mumbles inaudibly to a tune (sounds like 'Thanks for the memory).

sound research
Posts: 12
Joined: Mon Oct 02, 2006 10:18 pm
Location: Southern West Virginia

Post by sound research » Mon Apr 23, 2007 7:32 pm

Thanks everyone for the advice, and for being cool . If you have anymore tips on what i could try please let me know.
myspace.com/soundresearch
myspace.com/acquittedfelons

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