JohnLRice wrote:Did you create that demo or is it just a coincidence?
Hey John, good ears, thanks for the compliment! I did that many years back (2001?), my setrup was mostly my Mini-MOTM. That sample has a bit of 410 filter on the sequence and I was still fine tuning my Casio sound with filter combinations.
Still use the MOTM filters, and though subtle, the two samples I posted here, have in different quantities both the 410 and 420 on the percussion track. About 85% straight(Simmons SDS1000), with the MOTM filters mixed in, the hand clap from a Tama TS-204 is straight into the 420 in high pass, with a 390 LFO slowly sweeping, so that part comes in and out. Helps make it sound more alive and less canned. I always used the 410 on sequences, as it sweeps, it emphasises these strange frequencies, making it sound less static.
Here is a sample from back in 2001 when I was using the Mini-MOTM (Minimoog and MOTM) from a live radio broadcast. You can really hear the 410 sweeping and picking out these percussive sounds. Like having a third hand changing the sounds as I open up the Minimoog filter. Scott W. on guitar.
Live on Starsend Aug 19,2001
Seems these days I use that Moog 1P mostly for sequences, and back it up sometimes with the MiniMOTM.
I'm spoiled with that old Moog, that turns 40 years on Aug 11.
