preset mod wheel and master volume amount can definitely be implemented!
I have some ideas about how to free up serious space in the code…
it will take some experimenting before I can make too many promises, but I am optimistic.
Great news!
Another thing I wish to have is preset button option to reset the preset as you would do with changing presets, so without jumping back to what you did before when turning knobs.
This is possible already, isn’t it? Just press Preset button and it goes back to red (or blue).
Aah. Ok. The point is when you’ve jsut pressed it, you would like not to go back to your fully edited version when turning a knob. Instead, you’d like to start again from the stored version. Right?
Yes, just like if I would go to another preset and than come back.
Not sure if there is an option for this already, but it would be great if there was a latch option outside of the arp and didn’t require plugging in the gate CV input. I remember loving the latch key on my old micromoog. I even thought of DIY’ing a separate button to somehow make a connection internally on the CV gate path.
Amos, would it be possible to have any kind of simple FM? It could be implemented in a couple of ways.
- When using OSC2 as the modulation source, the pitch destination affects both OSC1 and OSC2. Is it possible to affect only OSC1? It rings my bell that both oscs share the same bus so it is not possible.
- Is it possible to have the LFO tracking the keyboard? This would be totally awesome and not so difficult to implement I think.
A different question is if it’s possible not to track the OSC2. This wouldn’t be very useful for FM but in combination with the sync could be interesting.
BTW, if we could have a Panel mode like in the Sub, wouldn’t it be better than the advanced preset menus?
Wish list?
User-reassignable CCs.
My EWI4000s wind controller outpus CCs 2, 5, 7 and 11 but I want to control the LP filter on 19. I’d like to not have to use my computer (current solution) or buy a MIDI remapper box (> $100).
Or, possibly simpler, make CC#2 assignable to one or more CCs since it’s currently unused by the LP. This would be an amazing gift to the (admittedly small) wind controller community.
Rik
This would be really cool for the expressive lead community. 
Additionally, is there any possibility of high resolution smoothing for specific functions (a lag generator)? The ones that really need it (for expressiveness) in order of importance.
- cutoff
- oscillator waveform (pretty please
) - oscillator level
- resonance
We’ll take slow smooth cc’s over quick raspy ones.
Ah, here is one I’d love to have on the Little Phatty as it exists on the Sub Phatty: loopable envelopes!!
You know how you can change some of the LFO sources to Noise and S&H in the menu structure? I wonder if it’s possible to have OSC1 as another option (as an alternative to OSC2 on the panel) as a source and/or destination to achieve your FM idea and more modulation in general.. 
I’d love this too (especially for use with the CV Output Mod!!), if the coding space permits.
David
NZ
In the Little Phatty’s Midi Setup menu, regarding sending CC’s: As well as “WHEELS”, can we possibly have options for just the pitch wheel and just the mod wheel? If this is possible, it would add some more flexibility - especially controlling a poly chain.
David
NZ
Uh, it would be totally awesome to map a CV input to any parameter!!! Just like on Minitaur.
I really want to save LFO for filter mod, but I love PW mod and PW mod is something that needs just triangle LFO in mostly constant rate… I just want to say that would be great to control PW (uh sorry, Wave Shape) with CV in. And if you could control other parameters like resonance and LFO speed, that would be major upgrade in modular fashion!
Another thing I would love to do is:
Turning the resonance up and in the same time Volume up.
Turning O.L. up and volume down.
Controlling filter cutoff with mod wheel and adding modulation. - this is useful if you want to have filtered bass sound and when adding LFO to cutoff, you control the offset of LFO or you can say Cutoff frequency 
this would be awesome if you could save (per preset) range of control and direction (+/-) of control.
ARP with/without retrigger option when using MIDI clock.
Sorry, with the second idea I meant pot mapping, so you control two parameters with one pot at the same time.
For Sub Phatty: a ring modulator.
Seconded. Amos! This would be the ultimate upgrade for the Phatties.
Also, the ability to switch CV ins on the Slim to CV outs, but I don’t know if that is feasible.
+1 for this on the Sub Phatty, too. I rarely use the Volume CV in, so if it could be reassigned that would be pretty amazing.
Just thought of a huge one! Not sure if it is possible. Inspired by the sub phatty,
I’d love a front panel shift mode for the menu parameters for the stage and slim!
I hate relying so much on the push encoder, but the real advantage is after a bit of work all could be memorized. Button to select the menu parameter, knob in that section to adjust the value.
Menu parameters I’d like to see on a shift mode front panel
Filter pole
Legato
Glide
Clock source
ARP advanced preset menu parameters
I know there are some I am forgetting. I have been away from my LP for a couple of months, while in the middle of a renovation & move.
Also, the manual could use a rewrite with the major changes that have occurred over the years.
Doh’t. I’d didn’t just think about it. I read it last month.
I’m sure that I mentioned this somewhere but any way…
I wish I could turn ARP off and still holding the last note.
When you do that, ARP off command sends note off or something like that.
This is very frustrating for me.
I need to re press that last note if I want it to sound, and sometimes it is really hard to synchronize this two actions. I don’t want to have a gap between this to actions.
What I like to do is one shot ARP in really fast time division up ward, but it would be much easier without note off when ARP is disengaged.
And another thing I also recommend is steady ARP with MIDI clock without offset, so you can hit note out of beat, but ARP stays in groove. Otherwise you really need to focus to play first note tight in sync and than you need to play legato if you want it to sound musical and in tempo.
this is definitely to be implemented! better late than never