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Does anyone else struggle to utilise their LFOs?

Posted: Sat May 10, 2025 12:40 am
by kevinplaystheblues
I don't think it would be an exaggeration to say that the LFO is half of most of these pedals, but I can never find a musical use for it.

I have the Midi Murf, Delay, and Phaser, and whenever I employ the LFO it just ruins what vibe I have going. It's partly coz it's never in key, but it's also just like...ugly...esp on the delay.

But maybe I am missing something. Keen to hear from others.

Re: Does anyone else struggle to utilise their LFOs?

Posted: Sat May 10, 2025 4:37 pm
by stiiiiiiive
Well the simple answer is: if you prefer without LFO, disengage it and enjoy! :D

Personnally, the LFO on the Ring Modulation is something that makes it too repetitive and preditable to me. That being said, the RM is not my go-to effect, I don't have often a real need of this.
On the delay on the other hand, I often put a slow, slight sine modulation on the delay time to create a sort of tapey chorus effect. I love this one.

Re: Does anyone else struggle to utilise their LFOs?

Posted: Sun Jun 08, 2025 3:37 am
by FeelinDank
I utilize the LFO on the MF-103 to other foogers 'often' as its slow speed is fun with many different use cases. The MF-105m is kinda good on it's own and w/o LFO as a fixed filter bank-ish sound. If you listen carefully (or read the manual to very easily understand) the MF-105m's LFO only shifts the frequencies up/down a tiny amount ...which contributes to it sounding ehh 'not what I expected'' IMO. Externally applied LFO's also only shift the frequencies minimally as well (IIRC). If you get a MF-101, it really fun to crank the resonance and use the audio output as an LFO (though it doesn't go 'very slow' as one would hope). Perhaps you can source a white noise generator and a low-pass filter as white noise and filtered white noise make for some awesome CV material (my recommendations: Marsona 1200a and Korg Monotron; or any similar varieties of these machines).