Slow down Voyager LFO and other tricks
Posted: Sun Feb 29, 2004 5:23 pm
Hi, here's some tricks and questions:
---Slow down the Voyager's LFO by modulating it with itself:
1) Connect the LFO output on VX351 to the back panel Mod2 input
2) Mod one bus: LFO modulates Filter or Pitch, full amount
3) Mod two bus: on/Mod2 modulates LFO
4) LFO Rate .8HZ or below
5) Wheel up
The LFO is now much slower and good for very slow filter sweeps, etc. This modulation routing may also be possible with the new Pot Mapping function in OS2, but I haven't tried it. Also if you use a mult and send the triangle LFO output to both the LFO rate input and MOD2 input you can get even slower frequencies that are barely noticeable. Also notice the frequency of the LFO increases the farther it rises above zero, and decreases the lower it gets below zero. Can anyone explain why? I can't.
---Speed up LFO to audio frequencies
Same setup as above, but unpatch VX351 from the back panel, turn LFO rate to 12 HZand above
---Staircasse modulation:
The manual implies you need the VX and CP for this, but I found you can modulate the LFO with the sub-audio pulse wave of OSC 3 to get a nice staircase modulation:
1) Mod 1 bus: LFO triangle modulates Filter cutoff
2) Mod 2 bus: Osc3 modulates LFO
3) Osc 3: lo freq, 32', thin pulse wave
4) mod wheel up
5) experiment w/amount on both mod busses and Osc 3's wave form to get a really nice staircase mod. Thin pulse yeilded the best results for me. Also, once you get it the way you want, adjust the spacing so one side is a step ahead or behind the other side.
The above examples make me wonder exactly how the LFOs are interacting? On my Sidstation I can "lace" one LFO with another to get complex wave forms, and I can also "add" LFOs together. What's the difference? What does the resulting waveform look like if you mix 2 LFOs on the CP's CV mixer?
Another question regarding the Voyager's newfound ability to send MIDI CCs:
When I apply a CV to the MOD 2 input on the Voyager's back panel, the Voyager starts sending MIDI data. The data appears to be in sync with the CV (for example, when I apply the LFO CV from the VX's LFO output), but it also seems to disappear when the CV swings below 0. At first I thought that the OS2 Voyager would automatically send the CC data of whatever control was being modulated by a CV, but when I recorded the CC data it appeared not to match the new MIDI CC spec. For example, I found that when I modulated the pitch with the LFO, the Voyager sent CC4 and CC36. 4 is the CC# on which Voyager receives LFO rate info, but neither 4 or 36 are supposed to be sent by the Voyager according to the new OS manual. Any ideas?
---Slow down the Voyager's LFO by modulating it with itself:
1) Connect the LFO output on VX351 to the back panel Mod2 input
2) Mod one bus: LFO modulates Filter or Pitch, full amount
3) Mod two bus: on/Mod2 modulates LFO
4) LFO Rate .8HZ or below
5) Wheel up
The LFO is now much slower and good for very slow filter sweeps, etc. This modulation routing may also be possible with the new Pot Mapping function in OS2, but I haven't tried it. Also if you use a mult and send the triangle LFO output to both the LFO rate input and MOD2 input you can get even slower frequencies that are barely noticeable. Also notice the frequency of the LFO increases the farther it rises above zero, and decreases the lower it gets below zero. Can anyone explain why? I can't.
---Speed up LFO to audio frequencies
Same setup as above, but unpatch VX351 from the back panel, turn LFO rate to 12 HZand above
---Staircasse modulation:
The manual implies you need the VX and CP for this, but I found you can modulate the LFO with the sub-audio pulse wave of OSC 3 to get a nice staircase modulation:
1) Mod 1 bus: LFO triangle modulates Filter cutoff
2) Mod 2 bus: Osc3 modulates LFO
3) Osc 3: lo freq, 32', thin pulse wave
4) mod wheel up
5) experiment w/amount on both mod busses and Osc 3's wave form to get a really nice staircase mod. Thin pulse yeilded the best results for me. Also, once you get it the way you want, adjust the spacing so one side is a step ahead or behind the other side.
The above examples make me wonder exactly how the LFOs are interacting? On my Sidstation I can "lace" one LFO with another to get complex wave forms, and I can also "add" LFOs together. What's the difference? What does the resulting waveform look like if you mix 2 LFOs on the CP's CV mixer?
Another question regarding the Voyager's newfound ability to send MIDI CCs:
When I apply a CV to the MOD 2 input on the Voyager's back panel, the Voyager starts sending MIDI data. The data appears to be in sync with the CV (for example, when I apply the LFO CV from the VX's LFO output), but it also seems to disappear when the CV swings below 0. At first I thought that the OS2 Voyager would automatically send the CC data of whatever control was being modulated by a CV, but when I recorded the CC data it appeared not to match the new MIDI CC spec. For example, I found that when I modulated the pitch with the LFO, the Voyager sent CC4 and CC36. 4 is the CC# on which Voyager receives LFO rate info, but neither 4 or 36 are supposed to be sent by the Voyager according to the new OS manual. Any ideas?