Posted: Wed Aug 12, 2009 5:49 pm
That's probably true. There are some folks on this site that might pay $500 for a Moog coffee cup.gtivr6fan wrote:I think you mean "than the rest of us"
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That's probably true. There are some folks on this site that might pay $500 for a Moog coffee cup.gtivr6fan wrote:I think you mean "than the rest of us"
::FORKS OUT WAD OF CASH:: ZOMGOMGOMGBryan T wrote:That's probably true. There are some folks on this site that might pay $500 for a Moog coffee cup.gtivr6fan wrote:I think you mean "than the rest of us"
Let's look at this realistically, though.gtivr6fan wrote:I think you mean "than the rest of us"Bryan T wrote:Personally, I'd probably pay $2K for an 8-voice analog synth. Something like a Little Phatty, but polyphonic.
Folks who are talking about $5K or $8K are in a different world than I am.
If you want an eight-voice discrete polysynth, $2K will get you nowhere. The benefit of DSI polys is their use of synth-on-chip (waveshapers for DCOs, filter and VCA on one chip) Curtis chips. You can't realistically expect to pay $2K for an eight-voice Poly-Phatty.Bryan T wrote:Personally, I'd probably pay $2K for an 8-voice analog synth. Something like a Little Phatty, but polyphonic.
Folks who are talking about $5K or $8K are in a different world than I am.
I don't know much about polysynths, but wasn't the Juno 106 a six voice polysynth? That cost $1095 (retail) in 1984, which is about $2230 today. I'd hope technology has progressed enough that we can do 8 voices and sell it for $2K today.Carey M wrote:If you want an eight-voice discrete polysynth, $2K will get you nowhere. The benefit of DSI polys is their use of synth-on-chip (waveshapers for DCOs, filter and VCA on one chip) Curtis chips. You can't realistically expect to pay $2K for an eight-voice Poly-Phatty.
- CM
The Juno 106 used technology similar to DSI. We're talking DISCRETE technology, not chips that are the oscillators, filters, etc. We're talking about seperate transistors hooked together to create oscillators and filters. If you want to do a cost comparison, try comparing Moog products to Moog products, or at the very least, check out other discrete polysynths, like the Studio Electronics stuff.Bryan T wrote:I don't know much about polysynths, but wasn't the Juno 106 a six voice polysynth? That cost $1095 (retail) in 1984, which is about $2230 today. I'd hope technology has progressed enough that we can do 8 voices and sell it for $2K today.Carey M wrote:If you want an eight-voice discrete polysynth, $2K will get you nowhere. The benefit of DSI polys is their use of synth-on-chip (waveshapers for DCOs, filter and VCA on one chip) Curtis chips. You can't realistically expect to pay $2K for an eight-voice Poly-Phatty.
- CM
Hence the suggestion to put it in the vein of the LP with 2 oscs. I think it'd sound heavenly. It sure does when you multitrack an LP in a DAW.phlegm wrote:I don't get why people are obsessed with a polyphonic Moog. If you're going to stack several notes on top of each other, you need a relatively plain sounding patch. Otherwise it just sounds noisy. Any of the DSI polysynths do plain sounding analog patches just fine and for much less than a discrete component analog synth would cost to make. Whereas, I have a Voyager because of the uniquely rich sounds I can get out of it, and such rich sounds sound best one note at a time.
This new SEM version is even better, and cheaper: http://www.audiomidi.com/Synthesizer-Ex ... 12455.aspxdjghostdogg wrote:For $899 MSRP i would rather buy this from Tom Oberheim:
Tom Oberheim Synthesizer Expander Module with MIDI to CV Panel
Tom Oberheim is proud to reissue the classic SEM monophonic analog synthesizer expander module. The return of huge, juicy analog synth tone at an affordable price!
Ok, so add costs for CV in's and outs. Would that be worth a grand? Multiplied by 8 would be 8 grand. I personally would buy eight of these awesome modules, even 12 or 16, hook them all together and add a keyboard, and be quite content to have such a rig act as a polysynth. The only thing stopping me is cost, and the fact I'd need to build a suitable enclosure, as well as add a decent keyboard.CTRLSHFT wrote:This new SEM version is even better, and cheaper: http://www.audiomidi.com/Synthesizer-Ex ... 12455.aspxdjghostdogg wrote:For $899 MSRP i would rather buy this from Tom Oberheim:
Tom Oberheim Synthesizer Expander Module with MIDI to CV Panel
Tom Oberheim is proud to reissue the classic SEM monophonic analog synthesizer expander module. The return of huge, juicy analog synth tone at an affordable price!WANTWANTWANT
Yes. Tuning gets more and more difficult as you add voices. Of course, an auto tune feature would be an absolute must. 8 SEM's wouldn't be so bad, because they are separate boxes. But put the circuitry in one really big box, and the tuning gets out of control. That among other things was what killed the Memorymoog.latigid on wrote:And think of the tuning. Oh, God, won't somebody think of the tuning!
*Vague Simpsons reference