Re: Need a comparison between 108 and 103. Audio or words
Posted: Sat Sep 26, 2015 5:18 am
Actually been discovering that you can tame the noise by using the Mix knob, Drive and Outputs too, of course.
I think I knew this before. I really like the flange effect of this pedal. At 50% mix it's pretty noisy, but at 85%-100% there is significant noise reduction.
Also, I have a Fulltone Tube Tape Echo that I have been using for over six months without demagnetizing or changing the tape once, so my audio path is pretty noisy at the moment. However, the one day I took the TTE out of the audio path when I first tested this third version of the Cluster Flux I've owned, it was pretty noisy. Definitely, noisier than I remember the other pedals being . . . but I still effing love it and it probably won't be leaving my board.
This track I just cut demonstrates the pedal as the main modulator in flange mode with the 12-stage Phaser bi-phasing away in the effects loop. Delay is provided by the noisy TTE., and tons of extra modulating and wobbling courtesy of the KOMA RH-301. The background pulsing was done by the 101 LPF and MURF sent to the stereo head in my Bogner Duende Seco Mojado, which was not mic'd directly:
https://soundcloud.com/crowyote/shadowl ... demo-vo-96
I think I knew this before. I really like the flange effect of this pedal. At 50% mix it's pretty noisy, but at 85%-100% there is significant noise reduction.
Also, I have a Fulltone Tube Tape Echo that I have been using for over six months without demagnetizing or changing the tape once, so my audio path is pretty noisy at the moment. However, the one day I took the TTE out of the audio path when I first tested this third version of the Cluster Flux I've owned, it was pretty noisy. Definitely, noisier than I remember the other pedals being . . . but I still effing love it and it probably won't be leaving my board.
This track I just cut demonstrates the pedal as the main modulator in flange mode with the 12-stage Phaser bi-phasing away in the effects loop. Delay is provided by the noisy TTE., and tons of extra modulating and wobbling courtesy of the KOMA RH-301. The background pulsing was done by the 101 LPF and MURF sent to the stereo head in my Bogner Duende Seco Mojado, which was not mic'd directly:
https://soundcloud.com/crowyote/shadowl ... demo-vo-96