_DemonDan_ wrote:Hi gian77,
You probably know this, but I have to ask, just in case...
Have you tried MIDI OUT of the Sub 37 to MIDI IN of the Minitaur, and then Audio OUT of the Minitaur into the AUDIO IN of the Sub 37?
You may want to filter out the Sub 37's PANEL MIDI CCs so that the Sub 37's knobs don't affect Minituar parameters.
{MIDI MENU - MIDI OUTPUT page - PANEL = OFF}
Hi DemonDan,
Thanks for your advice DemonDan, when Sub37 MIDI OUT is directly plugged to MT MIDI IN, panel MIDI CC should be desactivated, it's less confusion that way !
Actualy, i tried this with the DAW :
First, with MT's Audio OUT not directly through the Sub3's Audio IN but using 2 chanels on the mixer.
I find sonically interesting to have kind of a "dual synth" with close behaviour on common parameters (especialy filter and enveloppe sections) :
- Filter Cutoff = 19 on both
- Resonnace = 21 on both
- But Sub37's VCF Decay (24) can affect both Decay and/or Release on the MT (depend on linked or not).
- So Sub37,s VCF Release (26) has no effect on the MT.
- Same thing for the VCA Enveloppe.
This could be interesting to develop via MIDI mapping (hardware or sofware) ...
Then, by using the Sub37's Audio IN :
This way it's sound more like a 4 oscillators synth, they sound more "together"

Only constraint : take care of the MT notes scale (MIDI notes 0-72).
I also think that it's better to have MT's Filter wide open to let the Sub37 have full control of this parameter, but any advice for the VCA enveloppe ?