As far as "only 1000 will be made"...I would fathom that 1000 units is a pretty good number for any small synth manufacturer to sell and produce.
About 2500 Memorymoog were built. Moog serials start at #1001. I have one of the last ones from the factory (bought it from the factory in 1985 when they shut down synth manufacture) and its serial is #36xx.
I mean...how many of the original MiniMoogs were sold during its 10 year+ production run? 3000 at most?
Over 12,000 actually.
There has to be a good reason why this wondersynth isnt on the market.
There is. It's called
market potential. The Omega-8 is a perfect example of this.
Here is a rack box real analog synth with no controllers whatsoever, just knobs and buttons. And it is expensive. Is it a big seller? Judging by the recoil from the price, not likely. I'm on a few lists and forums and have heard from precious few Omega-8 owners.
Why so few? Price is a factor, sure. Its only competitor is the Alesis Andromeda, and while those are selling better they aren't exactly flying off the shelves.
The problem is
market saturation and limited market. There are a lot of used analog polysynths, and those are competition. Also factor in the VAs and softsynths. More competition. The first feature that musicians compare is the
PRICE, and despite being a RA the Omega-8 has a tough battle. The market has all kinds of cheaper alternatives.
Limited market - an analog polysynth has a narrow market - keyboardists with deep pockets. Guitar players don't blow that kind of money on keyboards. You won't sell them next to pianos and church organs either. The market for an analog polysynth is way too narrow, even if it had the Moog name on it.
The moogerfooger pedals do well because they appeal to guitarists, bassists, recording enthusiasts as well as keyboardists. The Voyager was a success because customers have been screaming for a 21st century Minimoog for years. There hadn't been a monosynth that could topple the Minimoog from its throne for years, not even a VA or a softsynth. Customers wanted that Minimoog sound with 21st century features, and the Voyager delivered.
The Moog Modular market reached its saturation point in the late 1960s. Then as the prepackaged monosynths glutted the market, the modular found its market extremely narrow.
When the Memorymoog was released the market already had its established contenders. The market was narrowing and all of the polysynths makers were struggling by this time - too much competition. The DX-7 killed them all. The proliferation of cheaper asian keyboards and the advance of features changed the polysynth market forever.
Alesis sells more Andromedas than SE does its Omega-8 because the Andromeda has a hell of a lot more features - deeper modulation routing, dual flexible filters, multitimbrality, etc. These are features that musician expect today. The bar gets raised higher and higher with each new model. It would take a LOT of R&D and beta testing to get a Moog polysynth to market, and with the limited market potential they wouldn't even sell enough to recoup expenses.
If Bob doesn't intend to build a polysynth, it ain't because of his grumpy disposition it's because of business sense.