Okay..I give up..what IS the handle-looking chrome bar?
Okay..I give up..what IS the handle-looking chrome bar?
1. a handle to lift to get to the guts?
2. a barrier to keep your feet away from something?
3. a crazy-offset handle to carry the beast?
4. An antennae to call up the demons of the earth's core for deadly bass?
Seriously..what IS that?
waiting for mine..... to share the floor with my Model 1s.
2. a barrier to keep your feet away from something?
3. a crazy-offset handle to carry the beast?
4. An antennae to call up the demons of the earth's core for deadly bass?
Seriously..what IS that?
waiting for mine..... to share the floor with my Model 1s.
- superd2112
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Last edited by CTRLSHFT on Tue Nov 24, 2009 2:22 am, edited 2 times in total.
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I think it's dual purpose - yes as a protector for the pot, but it's also tall enough, wide enough and thick enough to get four fingers firmly underneath so it could be used as a handle too. Probably in combination with the lipped area on the top rear of the panel for lifting. Otherwise some people will try to lift it by the vol and mod wheels.
That's my guess.
That's my guess.
The bar is only to protect the VALUE encoder pot, nothing more. Do not - under any circumstances - use it as a handle. It's not intended to support the weight of the T3.dr_floyd wrote:I think it's dual purpose - yes as a protector for the pot, but it's also tall enough, wide enough and thick enough to get four fingers firmly underneath so it could be used as a handle too.
That would also be a bad idea, as would attempting to lift the instrument by the footpedals (never do that!). Your best bet is to firmly grasp the sides of the instrument, bend your knees (saving your back) and lift.dr_floyd wrote: Otherwise some people will try to lift it by the vol and mod wheels.
- Greg
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Best bet is to get a roadie to do that for you .GregAE wrote: Your best bet is to firmly grasp the sides of the instrument, bend your knees (saving your back) and lift.
The wooden end cheeks are asking to be firmly grabbed surely? Less chance of getting mucky hand prints on that nice panel too. i can't believe people are talking about it being a handle, it obviously just follows this (common) model:
http://line6.com/podxtlive/photogallery.html
http://soundcloud.com/luke-antony
Well, of course...Mr Arkadin wrote:Best bet is to get a roadie to do that for youGregAE wrote: Your best bet is to firmly grasp the sides of the instrument, bend your knees (saving your back) and lift.
I suppose you could grasp those end cheeks any way you like!Mr Arkadin wrote: The wooden end cheeks are asking to be firmly grabbed surely?
-G
Do you know what? My favorite part of the Freq Box manual is the story from Steve Dunnington about how the Freqbox came to be.
Id really love to see more stories about Bob, it would make a fascinating addition to the webpage.
I spend lots of time reading and rereading the manuals and theres still lots I have to lern from them.
Eric
Id really love to see more stories about Bob, it would make a fascinating addition to the webpage.
I spend lots of time reading and rereading the manuals and theres still lots I have to lern from them.
Eric
Support the Bob Moog Foundation:
https://moogfoundation.org/do-something-2/donate/
I think I hear the mothership coming.
https://moogfoundation.org/do-something-2/donate/
I think I hear the mothership coming.
Thanks!Bryan T wrote:What other Moog manuals have you written? All of the Moog manuals I've read have been excellent.GregAE wrote:I am.EricK wrote:Greg,
Are you writing the manual this time around?
Eric
I've had the privilege of writing a number of Moog User Manuals in the last 5 years or so. This includes the three LP manuals (Tribute, Stage & Stage II), the MP-201 Multi-Pedal manual, the Voyager/RME combo manual, the Old School User Manual and OS Patch Book, and various addendums and firmware update docs.
The Moog folks are a great bunch to work with!
-G