Original Moog concept...keyboards or no...
Original Moog concept...keyboards or no...
In the Moog Movie documentary
Theres a scene in the Moog Movie with Bob and Herb Deutch discussing the history of the development of the synths and should it have a keyboard at all. Vladmir Ussachevsky advocated against keyboards saying that he was afraid it would "force people to think very traditionally".
Material that shoudln't be organized according to pitch.
I have sort of reached this feeling, wishing that the Moog didn't have a keyboard controller. Im not a great keyboard player, can't really express myself, nor am I very proficient on the keys. Im finding myself thinking about going to the voyager all the time but then I just think about the fact that its a keyboard and I get caught up in keyboard mode and when I start thinking about that and my limitations of technique, I don't have the desire to go in there and lift the sheet off the Voyager and turn it on.
Maybe Im just jonesing for that Theremin Upgrade or some kind of new controller or SOMETHING.
Any of you ever feel that?
Eric
Theres a scene in the Moog Movie with Bob and Herb Deutch discussing the history of the development of the synths and should it have a keyboard at all. Vladmir Ussachevsky advocated against keyboards saying that he was afraid it would "force people to think very traditionally".
Material that shoudln't be organized according to pitch.
I have sort of reached this feeling, wishing that the Moog didn't have a keyboard controller. Im not a great keyboard player, can't really express myself, nor am I very proficient on the keys. Im finding myself thinking about going to the voyager all the time but then I just think about the fact that its a keyboard and I get caught up in keyboard mode and when I start thinking about that and my limitations of technique, I don't have the desire to go in there and lift the sheet off the Voyager and turn it on.
Maybe Im just jonesing for that Theremin Upgrade or some kind of new controller or SOMETHING.
Any of you ever feel that?
Eric
Support the Bob Moog Foundation:
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I think I hear the mothership coming.
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I think I hear the mothership coming.
Keyboard, wheels, ribbon controllers, touch plates, touch pads, joysticks, paddle controllers, trackballs, foot pedals, foot switches, pull handles, piezo triggers...it's all the same to me, really. That's part of not having chops, though. But not having keyboard chops or being able to read music in some twisted perversion takes away all the limitations of not actually being able to play...I know that doesn't make sense, but I swear it's true!
Minitaur, CP-251, EHX #1 Echo, EHX Space Drums/Crash Pads, QSC GX-3, Pyramid stereo power amp, Miracle Pianos, Walking Stick ribbon controller, Synthutron.com, 1983 Hammond organ, dot com modular.
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Sorry...I wish I could afford to lust after it.pangmaster wrote:Yes. I love alternative controllers like the Buchla stuff, and I lust for the Haken Continuum!
Minitaur, CP-251, EHX #1 Echo, EHX Space Drums/Crash Pads, QSC GX-3, Pyramid stereo power amp, Miracle Pianos, Walking Stick ribbon controller, Synthutron.com, 1983 Hammond organ, dot com modular.
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I'm with Voltor07. My musical training is in piano, of course, but also in violin and flute, so I'm not wedded to the concept of a keyboard.
Having said that, I find it unlikely that the synthesizer -- specifically the Moog -- would have taken off as a commercially viable and accessible instrument if Moog had not built it around the keyboard. Keep in mind that Ussachevsky the big names of American electronic music in the 50s and early 60s -- Otto Luening, Roger Sessions and Milton Babbitt leap to mind -- were not the slightest bit inclined to make either their music or the instruments they used accessible to any but a tiny cabal of specialists. Read Babbitt's "Who Care if You Listen" and listen to Sessions's music to get a sense of that.
Having said that, I find it unlikely that the synthesizer -- specifically the Moog -- would have taken off as a commercially viable and accessible instrument if Moog had not built it around the keyboard. Keep in mind that Ussachevsky the big names of American electronic music in the 50s and early 60s -- Otto Luening, Roger Sessions and Milton Babbitt leap to mind -- were not the slightest bit inclined to make either their music or the instruments they used accessible to any but a tiny cabal of specialists. Read Babbitt's "Who Care if You Listen" and listen to Sessions's music to get a sense of that.
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yeah thats right, that "experimental music" stuff (what little I really know about it) was a pretty esoteric genre.
I also agree that it would have never taken off without a keyboard.
THat buchla Lightning II looks phenominal! It is also astronomically priced lololo.
EricK
I also agree that it would have never taken off without a keyboard.
THat buchla Lightning II looks phenominal! It is also astronomically priced lololo.
EricK
Support the Bob Moog Foundation:
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I think I hear the mothership coming.
https://moogfoundation.org/do-something-2/donate/
I think I hear the mothership coming.
Wow...I wasn't expecting an accomplished musician to agree with me. Quite the contrary, actually. However, it should be noted that Buchla succeeded in selling touchplate-based synths. But Buchla calls his synths Sound Machines. They aren't really "musical" instruments. They are just instruments.
Bob built his synths for musicians....even though it took a few more years for him to find his audience, so to speak. Also, Bob took additional time to refine his oscillators so they were stable enough to be used in a musical system. So I guess he decided to take the engineer route instead of the mad scientist route, like Don Buchla.
Bob built his synths for musicians....even though it took a few more years for him to find his audience, so to speak. Also, Bob took additional time to refine his oscillators so they were stable enough to be used in a musical system. So I guess he decided to take the engineer route instead of the mad scientist route, like Don Buchla.
Minitaur, CP-251, EHX #1 Echo, EHX Space Drums/Crash Pads, QSC GX-3, Pyramid stereo power amp, Miracle Pianos, Walking Stick ribbon controller, Synthutron.com, 1983 Hammond organ, dot com modular.
http://www.jimmyhotz.com/hotzstore/hotz ... ts_001.htm
(Although those prices... man... how hard would it be to recreate that bit of slightly naff 80s tech. I want one, though. Inevitably).
(Although those prices... man... how hard would it be to recreate that bit of slightly naff 80s tech. I want one, though. Inevitably).
Some things hurt more than cars & girls
Sound: Voyager PE, VX-351, CP-251; AIRA, MiniNova, Karma, Reason, Maschine, OP-1
Control: Zaquencer, Reason, Panorama P4
Sound: Voyager PE, VX-351, CP-251; AIRA, MiniNova, Karma, Reason, Maschine, OP-1
Control: Zaquencer, Reason, Panorama P4
Bob Moog wasn't even sure at the beginning about producing a self-contained, non-modular synth
Indeed the Minimoog allowed synthesizers to become a relatively common instrument because it wasn't an avant-garde, scientific, intimidating tool anymore, it was an instrument to which any keyboardist could relate to and feel comfortable
That said, all sorts of controllers could be imagined now that synthesis is so "mundane" among musicians
I wouldn't want any fancy controller myself, but then, it depends on the kind of music you're into... I'm a songwriter, I play piano, I need to play melodies and chords, and when I need something more "sound-design-ish", well, I don't feel constrained by the keyboard anyway
Others may feel differently
The new Etherwave version looks fun, for instance
Indeed the Minimoog allowed synthesizers to become a relatively common instrument because it wasn't an avant-garde, scientific, intimidating tool anymore, it was an instrument to which any keyboardist could relate to and feel comfortable
That said, all sorts of controllers could be imagined now that synthesis is so "mundane" among musicians
I wouldn't want any fancy controller myself, but then, it depends on the kind of music you're into... I'm a songwriter, I play piano, I need to play melodies and chords, and when I need something more "sound-design-ish", well, I don't feel constrained by the keyboard anyway
Others may feel differently
The new Etherwave version looks fun, for instance
https//www.facebook.com/khoral80
"Children are the future... that's why they must be stopped" - H. J. Simpson
"Children are the future... that's why they must be stopped" - H. J. Simpson
One thing that I think is cool is the stuff that Hal McGhee was doing. I mean really bring a dramatic aspect to playing. I thought about the kinds of things that could be done with the Lightning II. I think something like that could really bring a new level of juice to ones stage presence.
But like I said its the approach that sometimes keeps me from turning my Voyager on. In terms of straight noise I almost think a different controller for me would be more musically interesting to me than the same to scales that I might be able to play from a purely keyboard approach.
Its different on an instrument like the rhodes where you can just throw your hand down in a certian position, not necessarily knowing why the chord sounds interesting in terms of theory, but the sound of the instrument itself lends to less complex chords and smaller intervals so its easier to SOUND Jazzy than to BE jazzy.
Like George CLinton talks about people Faking the Funk....the stuff that I do is definately wannabe jazz...a lowly genre of its own lolol.
Eric
But like I said its the approach that sometimes keeps me from turning my Voyager on. In terms of straight noise I almost think a different controller for me would be more musically interesting to me than the same to scales that I might be able to play from a purely keyboard approach.
Its different on an instrument like the rhodes where you can just throw your hand down in a certian position, not necessarily knowing why the chord sounds interesting in terms of theory, but the sound of the instrument itself lends to less complex chords and smaller intervals so its easier to SOUND Jazzy than to BE jazzy.
Like George CLinton talks about people Faking the Funk....the stuff that I do is definately wannabe jazz...a lowly genre of its own lolol.
Eric
Support the Bob Moog Foundation:
https://moogfoundation.org/do-something-2/donate/
I think I hear the mothership coming.
https://moogfoundation.org/do-something-2/donate/
I think I hear the mothership coming.
They look like they might be the originals! They didn't sell too well and Atari actually lost more money on those than they did on the 5200 game console! I can't believe there's any left at all!RichardK wrote:http://www.jimmyhotz.com/hotzstore/hotz ... ts_001.htm
(Although those prices... man... how hard would it be to recreate that bit of slightly naff 80s tech. I want one, though. Inevitably).
Minitaur, CP-251, EHX #1 Echo, EHX Space Drums/Crash Pads, QSC GX-3, Pyramid stereo power amp, Miracle Pianos, Walking Stick ribbon controller, Synthutron.com, 1983 Hammond organ, dot com modular.
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You could always get it modified...perhaps replace the keys with arcade machine buttons. That would make it look even more like a '70's game console!boosimasjohnson wrote:i wish everyday that my micro did not have a keyboard controller
Minitaur, CP-251, EHX #1 Echo, EHX Space Drums/Crash Pads, QSC GX-3, Pyramid stereo power amp, Miracle Pianos, Walking Stick ribbon controller, Synthutron.com, 1983 Hammond organ, dot com modular.