Moog One FEATURE Requests

[bruno_z]

Would loooove to have the filters keyboard tracking parameter as a mod dest.
Put that on the exp pedal and that allows you to balance the presence of left and right hand while playing, great to emphasize one vs the other.
Of course, that can be approximated by using 2 synths and controlling the cutoff in opposite directions, but that doesn't sound as fluid while the hands move around, uses up one synth slot, need to duplicate the synths params etc.

[SandyS1]

Apologies if I missed this one in my quick read-through of both the manual and this thread, but:

Global LFO mode: change an LFO from per-voice to per-synth.

[SandyS1]

A compressor would be a welcome addition to the effects, both at the synth and master level.

[SanhajiMusic]

1. a performance page on the screen would be cool. It would be nice if you could assign the 4 control knobs under the screen to the cutoff of the 3 synths, for example.
I like to create sequencings that consist of the 3 synths at the same time and currently have to jump back and forth between the synths to make changes.

[till]

I am missing a quick way to disable the left hand and pedal inputs for instruments when doing some splitting and layering.
Doing splits and layers is so easy to do, but they simply forgot to address the lefthand and pedal inputs. No one needs to have the modwheel to be active on both sides of a keyboard split at all times. And editing each sound to adapt this not really as user friendly as setting up the splits and layers.

[GEOSynths]

As others have mentioned.

1. FX Parameters as Modulation Destination.
2. Envelope Multitrigger doesn't always trigger.
3. Triggering Sequence from Key often misses the first note.
4. Oscilloscope waveforms move when being modulated.
5. Sort background noise of FX
6. Add Compression/Limiting FX.
7. Phasers need to be Stereo.
8. When using negative Filter amounts, have option for velocity to open the filter the harder you play, instead of reversing.

[OrganKane]

+1 to this! Monophonic LFO would be great.

Apologies if I missed this one in my quick read-through of both the manual and this thread, but:

Global LFO mode: change an LFO from per-voice to per-synth.

[SandyS1]

A slew property on the S&H mode on LFOs would be really nice. It's great for introducing subtle, organic movement.

[_DemonDan_]

A slew property on the S&H mode on LFOs would be really nice. It's great for introducing subtle, organic movement.

Hi SandyS1,

Is the SMOOTHING parameter, found in each of the LFOs' MORE Pages, not working for you?

Because that's exactly what it does for whichever waveshape is selected.

[PhilAiken]

Apologies if I missed this one in my quick read-through of both the manual and this thread, but:

Global LFO mode: change an LFO from per-voice to per-synth.

I've been bringing this up for a while. A global envelope would be welcome to. My current workaround is to use an external LFO via CV, and if/when we can SEND an LFO out from the One via CV you can send one in from synth 2 set to mono, but really it would be nice to have it right there.

[PhilAiken]

1. a performance page on the screen would be cool. It would be nice if you could assign the 4 control knobs under the screen to the cutoff of the 3 synths, for example.
I like to create sequencings that consist of the 3 synths at the same time and currently have to jump back and forth between the synths to make changes.

I am a fan of this idea. Performance knob 1,2,3, and 4 could be a mod source in the matrix and hence assignable to multiple parameters if desired. As it stands now, on the main page when you call up a patch those knobs are not active. So even without a separate page, they could come up as active to whatever they had been assigned.
They would necessarily affect all synths (if assigned there) but this is the case for the touchpad, mod wheel, etc., so there is some logical precedent.

[PhilAiken]

As others have mentioned.

1. FX Parameters as Modulation Destination.
2. Envelope Multitrigger doesn't always trigger.
3. Triggering Sequence from Key often misses the first note.
4. Oscilloscope waveforms move when being modulated.
5. Sort background noise of FX
6. Add Compression/Limiting FX.
7. Phasers need to be Stereo.
8. When using negative Filter amounts, have option for velocity to open the filter the harder you play, instead of reversing.

I am not entirely sure I understand #8, but if I do, doesn't this work?
Turn velocity off in the envelope more windows.
Have the envelope set to negatively affect the filter cutoff as desired.
Assign velocity separately in the mod matrix to positively affect the filter cutoff.

Perhaps I misunderstand what you mean there.

[SandyS1]

A slew property on the S&H mode on LFOs would be really nice. It's great for introducing subtle, organic movement.

Hi SandyS1,

Is the SMOOTHING parameter, found in each of the LFOs' MORE Pages, not working for you?

Because that's exactly what it does for whichever waveshape is selected.

Derp. I was fixated on the VARIATION parameter, and never scrolled down far enough.

[till]

Apologies if I missed this one in my quick read-through of both the manual and this thread, but:

Global LFO mode: change an LFO from per-voice to per-synth.

To get one global LFO per synth:
Switch SYNC on.
NOTE-ON RESET to on.
Set MASTER CLOCK and SYNC DIVISION to your like.
If you use DELAY, FADE-IN or FADE-OUT, the LFO will be act like a global LFO, but with the LFO amplitude acting per voice.

[mildwest]

Apologies if I missed this one in my quick read-through of both the manual and this thread, but:

Global LFO mode: change an LFO from per-voice to per-synth.

To get one global LFO per synth:
Switch SYNC on.
NOTE-ON RESET to on.
Set MASTER CLOCK and SYNC DIVISION to your like.
If you use DELAY, FADE-IN or FADE-OUT, the LFO will be act like a global LFO, but with the LFO amplitude acting per voice.

Nice tip!