Gomjab wrote:jmcecil wrote:hendrkf wrote:You read correctly. I was essentially defining a 9 synth sound (3 layers, each layer with a 3 synth patch, each layer getting a 5 voice allocation). Would this be possible?
Although Dan would know for sure, from what I've seen of the architecture the answer would be no. It's 3 "sounds".
I agree that each of the three synth parts can have a single patch. However watch the first sound design livestream for an excellent example of using filter tracking with both filters to create what sounds like a split from a single part. Also I believe that note number can be a modulation source so there are a number of tricks that can be used to create all kinds of sonic diversity!
I'm with both of you on this. On one hand, all of the audio sources of a single Synth have to share one or both Filters, and they all join at the VCA.
On the other hand, there are many clever modulation tricks available on Moog One to make the five internal audio sources (OSCs 1-3, Noise, and Ring Mod) seem somewhat independent: Wave Angle (per OSC), Noise Envelope, Mixer Levels, different Filter routings, Key Pitch Tracking, Limit Low and Limit High Transforms.
There are going to be clever hacks made on One for a very long time. and it will be very easy to share them:-)