Moog One SOURCE Requests
- _DemonDan_
- Posts: 1273
- Joined: Mon Nov 16, 2009 4:52 pm
Moog One SOURCE Requests
Add your Moog One MOD SOURCE requests here.
I have no authority to say they'll be implemented.
But they will all be in one place.
I have no authority to say they'll be implemented.
But they will all be in one place.
_ _DemonDan_ _
- _DemonDan_
- Posts: 1273
- Joined: Mon Nov 16, 2009 4:52 pm
Re: Moog One SOURCE Requests
Good oneMC wrote:Please provide Voice Count (contiguous voices per timbre: 1-16 or 1-8) as a modulation source.
It serves as a way to vary a parameter per voice.
_ _DemonDan_ _
Re: Moog One SOURCE Requests
Did I write voice count? I meant voice number.
Gear list: '04 Saturn Ion, John Deere X300 tractor, ganged set of seven reel mowers for 3 acres of lawn, herd of sheep for backup lawn mowers, two tiger cats for mouse population control Oh you meant MUSIC gear Oops I hit the 255 character limi
Re: Moog One SOURCE Requests
Actually, both could be really useful. Simple example: lower the level the more notes played to help even out the volume. Another: reduce the detune the more notes played.MC wrote:Did I write voice count? I meant voice number.
Re: Moog One SOURCE Requests
Mono/legato gate. Some uses with this triggering env 3:
1) model Hammond organ percussion
2) model Yamaha CS60/80 ring-mod envelope
Related to this: trigger envelope on key up:
1) Clavinet sticky pad sound
2) Harpsichord key-up jack sound
David
1) model Hammond organ percussion
2) model Yamaha CS60/80 ring-mod envelope
Related to this: trigger envelope on key up:
1) Clavinet sticky pad sound
2) Harpsichord key-up jack sound
David
Re: Moog One SOURCE Requests
MIDI controllers. Not the entire set - basic stuff like pedal controller, sustain pedal, breath control.
Gear list: '04 Saturn Ion, John Deere X300 tractor, ganged set of seven reel mowers for 3 acres of lawn, herd of sheep for backup lawn mowers, two tiger cats for mouse population control Oh you meant MUSIC gear Oops I hit the 255 character limi
Re: Moog One SOURCE Requests
Not to overemphasize the point, but I have multiple MIDI controllers that transmit polyaftertouch, would like to see PolyAT response over MIDI implemented as soon as possible please.
Re: Moog One SOURCE Requests
^ polyAT big WANT!!!
Gear list: '04 Saturn Ion, John Deere X300 tractor, ganged set of seven reel mowers for 3 acres of lawn, herd of sheep for backup lawn mowers, two tiger cats for mouse population control Oh you meant MUSIC gear Oops I hit the 255 character limi
- _DemonDan_
- Posts: 1273
- Joined: Mon Nov 16, 2009 4:52 pm
Re: Moog One SOURCE Requests
Hi MC, my bad. I missed what you were asking for.MC wrote:Did I write voice count? I meant voice number.
So you're talking about a value that represents which particular voice card of the 16 (or 8 ) voice cards is firing as a modulation source?
_ _DemonDan_ _
-
- Posts: 92
- Joined: Sun Jan 28, 2018 7:03 pm
Re: Moog One SOURCE Requests
I’ve managed to get this effect on my Subsequent by having the filter EG release time be shorter than the amp EG release time.drogoff wrote:
Related to this: trigger envelope on key up:
1) Clavinet sticky pad sound
2) Harpsichord key-up jack sound
David
Re: Moog One SOURCE Requests
The Deepmind has this capability and it is useful doing things like having lfo speed per note be quasi-random._DemonDan_ wrote:Hi MC, my bad. I missed what you were asking for.MC wrote:Did I write voice count? I meant voice number.
So you're talking about a value that represents which particular voice card of the 16 (or 8 ) voice cards is firing as a modulation source?
Another nice feature to appropriate from the Deepmind is to have Unison Voice number as a modulation source. So if you are playing in Unison with say 4 voices, each voice can be panned/pitchshifted/etc. depending on which voice it is within the Unison.
Re: Moog One SOURCE Requests
Yes!_DemonDan_ wrote:Hi MC, my bad. I missed what you were asking for.MC wrote:Did I write voice count? I meant voice number.
So you're talking about a value that represents which particular voice card of the 16 (or 8 ) voice cards is firing as a modulation source?
Gear list: '04 Saturn Ion, John Deere X300 tractor, ganged set of seven reel mowers for 3 acres of lawn, herd of sheep for backup lawn mowers, two tiger cats for mouse population control Oh you meant MUSIC gear Oops I hit the 255 character limi
Re: Moog One SOURCE Requests
Source A + Source B = new Source result
Source A * Source B = new Source result
A very useful modulation parameter or feature from Korg workstations is AMS. This allows you to add or multiply 2 sources to get a resulting source parameter.
For example, let's say you want a certain type of vibrato which fades in slowly, reaches max vibrato, then fades out back to the sustained pitch. But, you want this to occur periodically, once every other half second.
To do this, you need 2 sources. One is the normal triangle LFO with fade in and out assigned to osc pitch.
The second source is a slow square LFO with its rate set to a half second. While the pulse is on, the triangle wave LFO gets applied. But when the pulse is 0, no triangle LFO is applied; the original note pitch sounds.
The result is a periodic vibrato.
Other possible applications of this include:
The fading sound of a police or ambulance siren as it approaches then passes by into the distance (Doppler Effect)
A falling filter rez sweep consisting of repeating ramp ups.
Exponential velocity / after touch / etc
Source A * Source B = new Source result
A very useful modulation parameter or feature from Korg workstations is AMS. This allows you to add or multiply 2 sources to get a resulting source parameter.
For example, let's say you want a certain type of vibrato which fades in slowly, reaches max vibrato, then fades out back to the sustained pitch. But, you want this to occur periodically, once every other half second.
To do this, you need 2 sources. One is the normal triangle LFO with fade in and out assigned to osc pitch.
The second source is a slow square LFO with its rate set to a half second. While the pulse is on, the triangle wave LFO gets applied. But when the pulse is 0, no triangle LFO is applied; the original note pitch sounds.
The result is a periodic vibrato.
Other possible applications of this include:
The fading sound of a police or ambulance siren as it approaches then passes by into the distance (Doppler Effect)
A falling filter rez sweep consisting of repeating ramp ups.
Exponential velocity / after touch / etc
Re: Moog One SOURCE Requests
I was going to say release velocity. But a simple key up gate would probably be fine in most cases.drogoff wrote:Mono/legato gate. Some uses with this triggering env 3:
1) model Hammond organ percussion
2) model Yamaha CS60/80 ring-mod envelope
Related to this: trigger envelope on key up:
1) Clavinet sticky pad sound
2) Harpsichord key-up jack sound
David
Re: Moog One SOURCE Requests
Actually, that would be useful, too in order to modulate the time and amount of the envelope.jmcecil wrote:I was going to say release velocity. But a simple key up gate would probably be fine in most cases.drogoff wrote:Mono/legato gate. Some uses with this triggering env 3:
1) model Hammond organ percussion
2) model Yamaha CS60/80 ring-mod envelope
Related to this: trigger envelope on key up:
1) Clavinet sticky pad sound
2) Harpsichord key-up jack sound
David