Wait until I get my hands on one. I designed the "Frankensteinwhey" piano patch for the Andromeda factory library, which used a LOT of modulation for its authenticity. Analog synths are NOT supposed to do piano sounds, but I figured out how_DemonDan_ wrote:It has so many MOD slots that none of us have ever run out. We still can only guess at how many you can have per preset
This is my dream synth. They did it!_DemonDan_ wrote:Not punishment, reward. Sure, every night, for a year and a half, I came home to the burden of knowing I had to work on "that damn manual', but the reward was that One was also there, waiting to be turned on, learned, and defined. Now I have my own One and it has so many of the feature requests I've asked for (and so many more from other people's requests).Gomjab wrote:That’s Dan’s punishment for writing such great manuals!
This synth is my Stradivarius. This is the one I'm going to grow old (older?) with. It has a redonkulous amount of system memory that will allow it to grow significantly in power and features for a very long time. And I'm certain I can go the rest of my life without running out of things to try on it. (I know, such flowery language; but that's what One does to me.)
The original 901 modular oscillator banks worked this way as well. It is super cool to have this feature on a Poly. I don't think it has ever been done.drogoff wrote:I love the beat-frequency knobs!!! Basically it's linear-FM detune in addition to the common exponential tuning knob. The downside of how virtually all synths do this is that if you set VCOs to have some slow beating at the low end of the keyboard, the beat frequency will be too fast at the high end of the keyboard. With the way it looks like Moog is doing this, you can have a constant beat rate no matter what the pitch.
It's easy to implement but I can't think of any other synth that has this except for the Taurus I and III
I’m not sure can comment yet but when I saw the feature to do a quick time stamped save of a preset under development it perfectly jived with what you were preaching (yeah that workshop was like being taken to church) about saving often during patch development. Was that feature one requested by you?_DemonDan_ wrote:Not punishment, reward. Sure, every night, for a year and a half, I came home to the burden of knowing I had to work on "that damn manual', but the reward was that One was also there, waiting to be turned on, learned, and defined. Now I have my own One and it has so many of the feature requests I've asked for (and so many more from other people's requests).Gomjab wrote:That’s Dan’s punishment for writing such great manuals!
This synth is my Stradivarius. This is the one I'm going to grow old (older?) with. It has a redonkulous amount of system memory that will allow it to grow significantly in power and features for a very long time. And I'm certain I can go the rest of my life without running out of things to try on it. (I know, such flowery language; but that's what One does to me.)
Nope, the autosaving with time stamp was one of so many happy surprises for me. The amount of care they put into making this excellent will become increasingly obvious over time. And there's still plenty of memory left for future ideas.Gomjab wrote:When I saw the feature to do a quick time stamped save of a preset under development it perfectly jived with what you were preaching (yeah that workshop was like being taken to church) about saving often during patch development. Was that feature one requested by you?
_DemonDan_ _
Hi Dan, been looking all over Sweetwaters website to see what time you'll be Streaming Moog One on Mon. Oct 8, did SW post it somewhere else, could not find it under EVENTS?_DemonDan_ wrote:Not punishment, reward. Sure, every night, for a year and a half, I came home to the burden of knowing I had to work on "that damn manual', but the reward was that One was also there, waiting to be turned on, learned, and defined. Now I have my own One and it has so many of the feature requests I've asked for (and so many more from other people's requests).Gomjab wrote:That’s Dan’s punishment for writing such great manuals!
This synth is my Stradivarius. This is the one I'm going to grow old (older?) with. It has a redonkulous amount of system memory that will allow it to grow significantly in power and features for a very long time. And I'm certain I can go the rest of my life without running out of things to try on it. (I know, such flowery language; but that's what One does to me.)
Exactly, and for me Oct 24 and our 16v can't get here quick enoughShaw wrote:Monday just can’t get here fast enough.....
