Moog Music Forum

Connoissaurus wrote:I really wish the step edit mode showed ANYTHING on the screen. Tap a step, note and mod amounts shown. Could introduce individual step gating that way as well.

And yes, some way to see the BPM! Crikey!

+1

Noise cable - Thanks guys! That is an excellent idea. I think I'll make one.

PLEASE FINISH THE VST EDITOR

OTHER MOOG PRODUCTS R SUFFERING

REALLY SUCKS

Maybe a option to unlock the sub osc from the 1 osc?

More modulation options is my ultimate wish. Lots lots more... :p

joeman wrote:More modulation options is my ultimate wish. Lots lots more... :p

????..You can nearly modulate everything...????
Even the Envelopes you can modulate.....Very cool..
I think you have to read the Manuel ..
Regards Luloop and good luck

Johell667 wrote:Maybe a option to unlock the sub osc from the 1 osc?

This is not possible.
The sub oscillator isn't really an oscillator. The frequency of an existing oscillator - here OSC1 - is just divided by two, so you get an additional signal which is one octave deeper than the original, but always dependent from the frequency of the "mother" oscillator.

cheers,
Bernard

gertie wrote:PLEASE FINISH THE VST EDITOR

OTHER MOOG PRODUCTS R SUFFERING

REALLY SUCKS

Your many responses in many different threads over the last few days has gotten very tiresome. I'm sorry your SubPhatty is apparently unplayable without an update every week and has caused you become unable to form coherent sentences for people to understand.

I'm sure it's been mentioned but I'd like to request feedback on the screen for parameter changes in relation to what they originally were before you touched the knob.

I'm sure like most people, I have sessions creating patches and sessions making tunes, when I bring up previously made patches in a tune making session and start messing with knobs to tweak the sound, it can be frustrating trying to find where the knob originally was, certain things like the filter is not a big deal but other things really have a sweet spot and it can take you out of the flow when trying to get that back (often I'm just jumping to another preset and then back to start again).

I think the way the Virus TI synth handles this on it's screen is good, it shows the original parameter setting on the left and what you're doing on the right so you can line them back up.

I'm loving the synth though!

LuLoop wrote:????..You can nearly modulate everything...????
Even the Envelopes you can modulate.....Very cool..
I think you have to read the Manuel ..
Regards Luloop and good luck

I think you misunderstand. I'm well aware of the current capabilities. I just want more options. More slots, perhaps a mod matrix, and more options for the cv inputs for modulation of params too. A nifty way to map cv modulations via shortcut. These are the kinds of things I mean by more options.

Joe

Maybe it's buried in the menu somewhere, but I'd love it there was a highpass filter available for the noise generator. It's difficult to blend it in with the oscillators without becoming overbearing.

I would love to be able to add steps beyond 16 to a sequence while it's in latch play - the scroll could just stop momentarily while you are on the next page in order to set the new end step and then pick up when the step catches up to the page that is active

jddrews wrote:Maybe it's buried in the menu somewhere, but I'd love it there was a highpass filter available for the noise generator. It's difficult to blend it in with the oscillators without becoming overbearing.

I'd prefer a lowpass filter myself, for those occasions where a slowly varying signal would be useful. I sometimes want sounds to have some random low frequency fluctuation.

Why not have both?

Exponential decay on the filter would be super.

jddrews wrote:Maybe it's buried in the menu somewhere, but I'd love it there was a highpass filter available for the noise generator. It's difficult to blend it in with the oscillators without becoming overbearing.

Try using the NOISE MOD source, and applying it to a parameter, like OSC WAV. It can add a noisy edge, but without the "pink" qualities in the low-end. This helped me figure out a Slim Phatyy sound (Ebb and Flow Lead) that was eluding me.