Minimoog model D, Moog Prodigy, Moog Etherwave Signature Theremin.
Plus:
Streetly Mellotron M400, Rhodes Suitcase 88, Yamaha CP80, Hammond A100, Leslie 145, Wurlitzer EP200, No.1 Electronics Theremin prototype, Korg micro-preset, Korg microkorg, Bentley Rhythm Ace, Datanomics Synthi VCS3 Mk2, Datanomics Synthi DK2, Russell Hobbs K2r, Hohner Clavinet D6, Octave Cat SRM II, Yamaha DX7, Roland JX-8P, Akai S1000, Roland SVC350 vocoder, Arp Quartet, Stylophone 350S, Casio VLT-1, Hohner Melodica, Estey Reed Organ style 62 (1881), Yamaha G1 grand piano, Suzuki Omnichord OM-27, Gibson Les Paul Custom, Squier Stratocaster, Peavey Foundation, HMV portable gramophone, Erich Werner violoncello (1979), Musikus-Studio Chromatic Elite glockenspiel, William DeBlaise double manual Harpsichord, Optigan, Hammond Extravoice, Hammond Sounder, Univox, Fairlight CMI Mk1 (on loan, but what the hey!?), British VOX Continental 300, Copeman Hart Chamber Organ.
Too much outboard to list, and a couple of rooms to put it all in....
... But it doesn't make us any more creative than you, natrixgli or anybody else for that matter. I think I was probably much more inventive when my 'rig' was just one Prodigy and two tape recorders in the early '80s, multi-tracking by bouncing from one machine to the other until the Dolby circuitry could take no more.........
SCx
