However, they’re no longer produced. Vermona makes a smaller, Lancet version but it’s not the same. I’d love to seem Moog tackle a spring reverb with LFO, Envelope, and some other tricks. Add on a crash button and I’d be in heaven. Who’s with me?
I have a Ekdahl moisturizer and I will never sell it. In addition to that reverb (which could easily be switched out with a different spring tank if you ever desire), it has cv in for damn near everything, cv out for the LFO, and one of the gnarliest filters I’ve ever heard. The resonance of the filter really screams and breaks up if you push it. It sounds amazing.
I bought one of the Vermona Retroverb and, while I enjoyed it, it was unusable in a live setting. Still on my quest to get something analog. Here’s my current pedalboard:
I was thinking of getting the Recovery Effects Endless Summer Reverb, although it lacks cool Moog-like features or any sorta CV control…
I know It`s off topic, but what is this interesting looking box left of the eventide space?
I have the Vermona Retroverb Lancet, and I absolutely love it. Although it doesn`t have that many in- and outputs, you can do such a lot with the clever routing options. First I thought the extra filter was a rather unnecessary addition, but it really adds a lot to the overall possibilities.
http://www.retromechanicallabs.com
That’s a RML 432k. It has a Moog-style filter in it that is CV controllable, as well as both germanium and silicon fuzz options (plus transistor boost and op-amp distortion).
I’m leaning towards a Eventide H9 for a general all-purpose effect pedals for my M32 and Sub37. But the Strymon Blue Sky also seems like it would be a nice fit for synths. H9 does all the same stuff and then some, but more $$$ depending on what version you get.