The Korean album you have, âNonstop Moog Moogâ is interesting since there is very little info about synth pop from other parts of Asia besides Japan.
Thatâs a great collection of covers - some amazing ones there. I didnât see Gershom Kingsleyâs God is a Moog, though - unless I missed it?
I think itâs good that you have both versions of the cover for Switched on Bach - what I think Wendy Carlos would probably call the silly one and the sensible one. Itâs also worth noting the odd fact that the original versions of the album didnât mention her name (or to be precise, Walter Carlos) and gave the impression the Moog modular did everything by itself without human intervention - which is especially ironic considering the work involved in keeping the damn thing in tune with its early 901 oscillators, never mind playing it.
Interesting about the credit on the cover. I never noticed that though Iâve never compared different pressings over the years. I assume Carlos was mentioned on the back. What about the spine? The LP I have was a later one and has the Benjamin Folkman co-credit thatâs since been removed.
I guess another interesting piece of trivia is thatâs CBS Recordâs Moog on the cover, not Carlosâ. Iâm sure some people bought that model (IIIP) after hearing the album. I think Tomita did some years later
Yes, it credits Walter Carlos âwith the assistance of Benjamin Folkmanâ on the back cover. The spine is the same as the front cover.
And yes, as you say, thatâs not the Moog that was used on the album. If theyâd taken photos of the original, in Carlosâ presence, I suppose, they would never have been able to take the photo they used.
Itâs an interesting historical document for attitudes to electronic music, though - or should that be âhysterical documentâ?
Iâm not sure which cover failure is least excusable in Carlosâ career - this early one or the one for Tales of Heaven and Hell, which at least appeared on the shelves as it should be, despite the fact that the initial copy returned from the printerâs had Carlosâ bright orange flames rendered in a weird shade of green. Given the massive efforts she put in with the music, Iâm sure she could have done without the additional hassle that record company and printers gave her with some of the covers.