I’m looking for places that would be interested in some historic information from ARP. I’m 100% sure this information is not anywhere on the internet. Please don’t get the idea that I’m trying to sell anything. I just want to make this information available to other people.
I have not had the chance to completely go through all of the data, but it appears that by 2/7/77 ARP had a synth with at least a DCO. Its possible that they had a completely digital synth too. This software and computer/boards came from an ARP employee. This machine was built on the Altair 8800 computer.
I have a binder full of compter code and handwritten notes from ARP Instruments. FedEx just dropped off a few disks with what appears to be a backup of their project. I also have some S-100 BUS interface cards for the Altair that appear to interface the Altair to an ARP synth.
I’m looking for places that might want this information. If this is the right place, let me know. If not, could someone give me pointers to ARP archive web sites?
This stuff excites me even though I have no idea what a 2600, prophet, moog, etc is. Its a time capsule to me.
All I know about these old synths is that Popcorn song they made me dance to in elementary school. ![]()
Below is a short timeline written by the employee:
ARP filed Chapter 11 around 1981. I was working with
them at the time as a hardware engineer. Alan Pearlman
and I were working together. I remember he was into
computer graphics when I was there. I think he used
the Altair prior to my arrival (1979) and was experimenting
with computer music. At that time, ARP only produced
pure analog synths. It wasn’t until about 1980 that they
introduced their first microcomputer controlled analog
synth (the Quadra). We were working on the Chroma,
a much more substantial micro-controlled analog synth
to compete with the Sequential Circuits Prophet 5, but
we didn’t finish it before the company ran into
trouble. The designs, inventory, etc. were purchased
by Fender and I continued work on this synth at a different
lab location in MA, which finally was released as the
Rhodes Chroma.I have a couple of 8" floppies for the Altair
containing what appears to be Alan’s computer music
generation software. About that time, UCSD had a vibrant
computer music degree program at their Center for Music
Experiment. This was about the time Stanford and Ircam
had vibrant computer music programs. Anyway, the UCSD
Music 5 generation programs were public domain. Perhaps
he was experimenting with them. Of course, he could have
been working on a keyboard sequencer/recorder for analog
synths as well.Anyway, since I don’t have any way to read these disks
and you might, I would be willing to send them to you
temporarily so that you could read the data off of them,
as long as you give me a copy of the data in a format I can
use (i.e. email the binary files to me) as well as return
the original disks back to me. Let me know if you have
the floppy drive system working yet.