Moog Music Forum

patobrujo wrote:... but i feel the explanations may be useful for someone else here...

Yes! Especially I would like to know whether I will be able to send the sequence to my (hopefully arriving on saturday) MP-201 via USB and then from there via MIDI or CV to the LPTE?

cheveux.boucles wrote:http://www.myspace.com/hazlogirar

The first couple songs on the player use the Phatty for bass and some other neat effects.

Desert Train has a brilliant combination of sounds! I hear you like Spacemen 3

You should also try Bankstep v2.1, it's like the old school modulars. Somewhat tricky to operate if you arent into that sort of stuff, but there is an extensive pdf. manuaul you can download. It's been really stable on my laptop as of yet! I think I got it from http://www.vstplanet.com Speaking of ...

You could also use the 4-input mixer to combine the CP-251 triangle wave and the MF-102 CARRIER OUT signal - the mixer out would get connected to the CARRIER IN. This could be used to get one MuRF synced Ring Mod tremolo and one not- synced Ring Mod tremolo - sort of... SD Could I use this trick wi...

Bryan T wrote: delay time is linear, exponential, or something else

So what is the "nature" of the delay time? How would i be able to calculate the double speed of a certain tempo?

Inspiring stuff.
The bass-solo on "next to last" is superb.

"Lucid Dreams. For this track Nick used an external arpeggiator to trigger the Voyager"

Would be interesting to know which external arpeggiator, wouldn't it?!

Hi Michael - Try patching the square wave through the Lag processor. The issue is probably due to the square wave "overshooting" a little somewhere in the signal path with the fast rise and fall times. You can use the Lag processor to slow down the rise and fall times just a hair to get r...

Hi Michael - Try patching the square wave through the Lag processor. The issue is probably due to the square wave "overshooting" a little somewhere in the signal path with the fast rise and fall times. You can use the Lag processor to slow down the rise and fall times just a hair to get r...

Then sending the mix out of the CP-251 into the filter of the LP makes it even more of a thrill! Though when i send it (out of 4-input-mixer) to the volume in of the LP suddenly I lose all volume of the LP. Why is that? Has anyone got any suggestions about the "click"? Will cleaning help a...

The RATE input on the MF-102 controls the RATE of the LFO and is not useful for syncing it to any tempo as it is a CV input... Stupid me! Something very easy to try - use the TRIANGLE output of the CP-251 LFO patched to the CARRIER IN of the Ring Mod - Square Wave of the CP-251 LFO would be patched...

Dear cooperative people

whenever I plug a cable into the tap/step input on the MURF I end up getting a rather nasty "click" sound with each beat on the signal. Be the MURF turned on or off, it's always there.

What can i do to get rid off this problem asap?

Is it possible to add some tape delay modes, or wouldn't that work with the bucket brigade design? I would ditch my tape for an updated delay with midi and modes (or programability of some kind). I'm currently trying to sell my RE-201 and will save that money for the updated MF-104M;-) The fact tha...

Bryan T wrote:

CTRLSHFT wrote:My favorite modulation, though, is a fairly dramatic use of a square wave LFO. You attenuate it so that it modulates the repeats up and down an octave. Hypnotic and inspiring.
Bryan

Could we hear that?

Trouble ahead! I sent the LFO of the CP-251 (square wave) to the 4waymultiple and from there to the step input on the MURF and the rate input of the RM. The MURF part worked well, but the LFO of the RM seemed to suddenly do nothing anymore. Frequency altering changed the tempo of the tremolo, but ch...