Moog Music Forum

From my perspective as a 16-voice owner, here's my take on the advantages:

POLY UNISON is much more usable with 16 voices. Even with 16 I find myself having to be careful with my playing style to work around the release envelopes so that voices are "free" when I'm ready to play the next chord ...

I'd like a per-OSC MORE setting to enable/disable the LFO3 Waveform Modulations for the selected oscillator. (default: enabled)

My specific scenario is - I'm mixing some square into OSC1 to put some extra bite on the saw, and I want to get some PWM squares alongside on OSC2/3.

I can't use the ...

MOD SOURCE: VOICE NUMBER
Another option for panning - each new voice can land in a different place in the stereo field. Would work well with a MODULO transform so that you don't necessarily have to go L->R or R->L

MOD SOURCE: ACTIVE VOICE COUNT
This would be useful so we could dial back the mixer ...

I have a few more feature requests after a week of use.

The most limiting factor to me has been panning - I find it hard to take advantage of the stereo field. Most my suggestions are in that area.

MOD DEST: LFO START PHASE
This would let me route a slow triangle LFO4 to pan, and then route ...

Save the Preset (with Synth 1 the way you like it).
...


Yep - I'm familiar with using browse to pull a saved timbre into the active synth. Was thinking something that wouldn't require generating an extra preset / going out to the preset browser; e.g. hold SYNTH1 + SAVE -> screen displays ...

Here are some feature requests after a few days of use:


Provide an ability to bypass both filters per-OSC
Provide a way to copy Synth 1's timbre to Synth 2
Visually depict SVF Spacing in the Filter MORE screen
Provide an option to show modulation/LFO impact on parameters in the various MORE ...