Moog Music Forum

I just purchased a used MF-101, and there are no rubber pads/feet on the bottom, only metal screws. Any suggestions for direct replacements?

edit: Well, I found this post , and I suppose I could just contact Moog Music and pay the hefty shipping, or go the cheap route and get some standard sticky ...

I eventually nailed this sound on an SCI Pro~One with a single Sawtooth and a somewhat slowed Filter attack, but it wasn't until I ran the sound through the Distortion plugin in Sound Forge that it had that rough character. I tried a Big Muff Pi pedal first, and it didn't sound right.

I keep my VRME in a rack in close proximity to my Kurzweil K2vx, used as the controller.
http://67.18.24.4/~murmurbe/images/gear/studio0709/Rack.jpg

The Aphex Xciter pedal is in the Voyager's Mix/Insert path, and is actually quite useful in multiple respects. The Voyager doesn't do distorted ...

I've owned a Voyager RME for 2 years, and have only just recently solved a problem: It was clipping the digital inputs of the audio interface with what seemed to be insufficient volume. Keeping amp sustain high and using digital limiting on the recording only seemed to help a little.

Couple this ...

Maybe this is a no-brainer, but I checked the manual and do not see how to control the depth of modulation for Osc. 3 to Osc. 1 FM. Naturally you can use the control bus for Osc. 3 -> Osc. 2 FM and get depth control there, but then it is next to impossible to tune Osc. 2 anywhere near Osc. 1. I ...

Well, I found 3 threads on this here , here and here but there seems to be no answer as to why I can still hear the popping as the amp envelope attack is raised to near 40% of maximum, and why when I look at the recording in an audio editor, I see a fast rise time to around -30db that suddenly slows ...

Everybody with monophonic synths intermittently gets mild audible popping sounds on fast amp envelope attack when the filter cutoff is low enough. Now imagine those "attack pops" to be overtly loud, and increasing amp envelope attack up to 40% of the maximum, and still hearing them. Couple that with ...