Moog Music Forum

lg - so you've got the valvotronics and lowpass...how would you compare the two? from what i've read, it sounds like the DI has more of a built-in low-pass filter, good for achieving one solid tone as a unit, but it seems like you would have more options for tone with the moog lowpass, not to ...

above, "it" = murf, just to clarify.

I'm hoping the murf step adaptor can put out some of these frequencies- it'll be here soon - it could make for a good weekend project - I'll keep you all posted. It doesn't exactly have the resonance ability of the low-pass, but could open up some new doors.
The valvetronics does look pretty sweet ...

A solid PA system can put out a surprisingly loud low frequencies, especially if coming from overhead. If you are mic-ing a bass amp to run through the PAs, I would imagine you could tweak it to get a rumbling low from the amp (and through the floor), but keep a lot of the high frequencies coming ...

Hahaha.. Yeah, a little more of that "rub a dub dub" quality on the bass sound is exactly what I'm going for (in so many words). good link, H!

lg, in the songs I've heard with this sound involved, there is not so much of a wow or ow typical filter sound, but there is what I can only described as ...

P.S. - if anybody's interested in samples, just head to hieronymous' myspace page or download portal. clutch!!

btw, the title's supposed to read "..resonance - mf101?" ok, cool...that was annoying.


Thanks for any advice you might have!!

Hi- this might be a good one for the all of the low-pass filter threads happening lately, but I'll post here for bass guitar and the different effect I'm going for. I'm looking for a sound in which any played note has lots of resonance. Some basses have this overtone naturally if you hit the right ...

Would this be the original or the bass murf? Let me know what you think/first impressions

p.s. - check the tap-tempo listening thread. the clock input part of the step adapter might help out.

Wow, that's good news. I could see it working really well from a line out or effects send from something digital (i.e. keyboard) but the fact that a drum would work could be really good news. It seems like, if mic'd right with no interference, a sneer drum would give a pretty steady and readable ...

It's slowly getting clearer. so the step adapter controls each of the eight filters, meaning you could SLOWLY move through a rhythm and not have each "beat" equidistant from the last, if i'm getting it right. so what happens if you're playing so slowly that there is not a tempo at all? does it just ...

Since posting this, I've realized that the issue is not so much about sound settings (the animations are all unique and obviously very well-thought out - and drawn out in the instructions), but how to manipulate the rhythms live and keep them from trainwrecking. A few other posts are more particular ...

MinuteMan - where exactly are the posts on synching to a drum machine? I've posted a similar topic on tap-tempo rhythms, but this seems to be along those same lines. Would a simple metronome work, and would there be a way for one to analyze a rhythm rather than starting one? Sorry to add more ...

The main reason I mention this is that the murf seems very fit for studio recording..just seems really tricky to find and stick to the tempo of other instruments in the band using just the tap-tempo switch (not to mention having to tap it 3 times while playing??) for live recording. I don't know how ...